This past week’s episode the last of us There was a watershed moment in queer television, the image of which A compassionate, painful, and rewarding romance played admirably by Nick Offerman and Murray Bartlett. This very website thinks it can earn the presenter his first Emmy. Set against the backdrop of the breakdown of human relationships and the pain of the end of the world, the episode celebrates life when surrounded by death, giving viewers a reason to hang on to the dark times. Unfortunately, it wasn’t all because – let’s be honest – Neil Druckman and Craig Mazen thought we were stupid. There is no way that episode took place outside of Boston.
It takes place in “Lincoln, Massachusetts,” but you’d never know it by observing the episode’s mountainous terrain. Maine’s favorite son, Stephen King, gets it. That’s not Lincoln, you chowderhead.
“the last of us. Episode 3” King tweeted. “Do you really want to tell me it’s 10 miles west of Boston?” Yes, um, Mr. Druckmann, it doesn’t look like any part of Waltham that we’ve seen.
Seriously, if HBO wants to tell us that, of course, this episode took place in Worcester, we’ll buy it. But come on, 10 miles outside of Boston, with that scenery and a few marshalls? forget it. If Red Sox fans can survive the Curse of the Bambino, they can endure the end of the world. King, who loved the episode “Okay,” doesn’t care how tender the love affair is, it’s nowhere near legal seafood. Maybe it’s Woburn. may be.
The king is not alone. per A variety of varieties, Boston.com He described the episode as “a mockery of the geography of the Boston area” in the Neil deGrasse Tysonian trolling that everyone loves, especially Bostonians. Quite simply, Matt and Ben never did. You’d never know it by the reviews, which have uniformly praised the episode for incorporating such an emotional same-sex love story into a big-budget mushroom zombie TV show. Our own review said, “If the last of us It’s about the love that grows between a grieving father and the girl in his care, paralleled by the relationship between Frank and Bill, which Mazin’s script punctuates with great heart and humor. It’s a shame that an apparent lapse in geographical knowledge marred this kind of screenwriting. Seriously, what part of I-95 did this episode take? We want to get out.
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Everyone knows that it happened in Lane, the city of sin (you never leave the way you came).
